My Review of All the Colours in Between by Eva Jordan

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“Don’t forget that darkness is a force absent of love. just like black is the absence of colour. The more love you can feel, the more colour added, the more light is achieved. And ultimately, in the end, our choices  seal our fate.”

Lizzie Lemalf is now officially writing full time, her first novel having been a success. Maisy and Cassie, her two teenage daughters from 183 Times a Year, the first book in the series, have grown up and flown the nest. Cassie to London where she’s recently finished university and is now working for a well-known record producer and Maisy to Australia where she and boyfriend Crazee run a tattoo shop. Their little brother Connor is now a teenager himself, though nowhere near as much trouble as his sisters ever were. With Lizzie’s mum remaining cancer free, all seems to be going well for the Lemalf family. However, when Lizzie visits Cassie in London, Cassie appears thin and withdrawn. Despite Cassie’s telling her that nothing is wrong, Lizzie can’t help but be concerned. But this is just the beginning of Lizzie’s worries as everything is about to change for the Lemalf family.

I thoroughly enjoyed Eva Jordan’s latest novel which is written in her characteristically colourful style. The story is by turns laugh-out-loud funny—she does an excellent job of depicting the speech and perspective of teenagers—and terribly sad. Above all, she captures the love of a modern-day family for one another, through the tragedies and joys of life and, of course, everything in between. There were times where I felt she could have been writing about my own family, as she did such a remarkable job of showing the emotions around life events.

The story is told from several different perspectives, including Lizzie, Connor, Cassie and, occasionally, Salocin, Lizzie’s strong and kind-hearted father. This has the effect of increasing the reader’s empathy for the different characters and their roles within the family. While there were certain characters whose experiences I could relate to more than others, by the end of the book, I felt I could understand all of their motives for acting as they did.

Having read and loved 183 Times a Year, I had high hopes for All the Colours in Between. I was not disappointed. If anything, I’d say that Eva Jordan’s second book exceeded my expectations, possibly being even funnier, more poignant and better written than her first one. The themes she explores within the novel are timeless, as well as being timely. All the Colours in Between is a beautiful novel which will stay with me for years to come.

All the Colours in Between is available from Amazon UK:

Amazon US:

WH Smith:

Interview with Eva Jordan, author of 183 Times a Year

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Today I’m welcoming the lovely Eva Jordan to my blog. Eva’s debut novel, 183 Times a Year, is currently available as an ebook and was released as a paperback on the 28th April (my review follows the interview). To celebrate she’ll be doing a book launch at Waterstones in Peterborough on 12th May. The address is 38-40 Bridge St, Peterborough PE1 1DT, and the event will run from 7 to 8.30pm. Do drop by if you’re in the area.



Welcome, Eva! Thanks for coming by to talk with us today about your writing, especially your debut novel, 183 Times a Year.

Hi Kendra, thank you so much for having me on your wonderful blog.

Firstly, could you describe the story for readers?

183 Times a Year is a laugh out loud look at contemporary family life. The story is seen from two points of view and heard through two very different voices, namely Lizzie and Cassie. Lizzie is the exasperated Mother of Cassie, Connor and Stepdaughter Maisy. She is the frustrated voice of reason to her daughters’ teenage angst and gets by with good friends, cheap wine and talking to herself—out loud. Then there is 16-year-old Cassie—the Facebook-Tweeting, Selfie-Taking, Music and Mobile Phone obsessed teen. Cassie hates everything about her life and longs for the perfect world of Chelsea Divine and her ‘undivorced’ parents—and Joe, the gorgeous boy every girl fancies. 

What inspired you to write this story? I understand that you’re the mother of four teenagers.

It is the women in my life, including my mother, daughters’ and good friends that inspired me to write my debut novel. I wanted to show people the extraordinary amongst the ordinary. For, despite living in a world of advanced technology, where everything is available to us, and anyone with opposable thumbs can document, broadcast, and stream just about anything, smartphone in hand of course, it also feels, at times, like a lonelier, more insular place. It’s easy to believe when scrolling through our friend’s social media pages that somehow everyone else has got it right and yours is the only dysfunctional family on the planet – which just isn’t true of course.

I’m a mother to a 19-year-old daughter and a 17-year-old son. I’m also a step mum to my other half’s son and daughter who are both now in their twenties. Ours is a blended family and like most families, we’ve had our ups and downs. Parenting, including step-parenting, isn’t easy. At times it can be difficult and challenging, especially with teenagers, but it can also be extremely rewarding. I have many friends with children, some are blended families, some not, and many of the problems that arise in my novel are common to most families. However, although tragic at times, 183 Times a Year has many laugh out loud moments. It is an amusing exploration of domestic love, hate, strength and ultimately friendship. A poignant, heartfelt look at that complex and diverse relationship between a Mother and daughter set amongst the thorny realities of today’s divided and extended families.

When reading 183 Times a Year I was struck by how honest you were in your depiction of teenagers and their relationships with their parents at that age (or seeming lack thereof!). I have to admit you made me cringe with embarrassment at how much of my teenage self I recognised in young Cassie, and, while I don’t have kids of my own, I definitely sympathised with her mum, Lizzie. How difficult was it to re-create these relationships in fiction, and how much of the story was drawn from personal experience?

I’m glad you cringed – that was exactly the emotion I wanted to evoke. The story was drawn from personal experience but not just mine, it was also the experience of friends, family and information gathered through research. As a parent of teenage children it wasn’t particularly difficult to re-create these relationships. I know a couple of readers have struggled with the way Cassie speaks but I wanted to keep her as real as possible. Some readers have said they find Cassie annoying and frustrating – to which I have wanted to reply, “Err hello – welcome to my world and that of most parents of teens.”

Like my own children, Cassie can be extremely annoying at times. Her view of the world is naïve. She sees things as black or white and hasn’t had enough life experience to fill it with all the colours in between. Her moods can often seem extreme swinging from endearing through to narcissistic but, at the end of the day, she is just a young woman struggling to make sense of her place in the world. Lizzie also struggles, especially with parenthood but like a lot of mothers, she does her best with her children. However, although older and wiser she is also at odds with herself, questioning if this – being a librarian and mother – is indeed her lot in life. And if so, is it actually enough? She forgets how difficult it is being a teenager. The universal need of most of us, in one way or another, to assimilate, to somehow fit in and belong in a world that doesn’t always make sense.

What would you like readers to come away with, after reading your book?

To remember that we’re all human, all flawed and that we all make mistakes. Remember to love family and those that love and support us – it’s easy to take people for granted. If your Mum drives you crazy, remember she’s just doing her best, being a parent is one of the most difficult but rewarding jobs in the world and one that comes without an instruction manual. Alternatively, if your teenage children, step children, grandchildren, nieces, nephews or your friends’ children are driving you to distraction, remember you were young once. I’m not saying we have to pander to our children but just remember that whilst you are busy worrying about important things like how you are going to pay the rent or mortgage, if that lump you discovered is something to be concerned about or if you really can afford to go on holiday this year, your son’s concern that his acne-pulsating face is preventing him from getting a girlfriend or your daughter’s anxiety at her exclusion from that party that everyone else has been invited to, are also very real to them. After all, true wisdom comes from compassion – for yourself and others.

What obstacles, if any, did you encounter when writing 183 Times a Year?

Time, there just isn’t enough of it. I need a 48-hour day and 14-day week to fit everything in – like most people I think! I’ve also struggled with people’s perception of writers – especially those starting out like me. General consensus seems to suggest that because you work from home you can be interrupted, if you’re caught staring into space you can be interrupted, if you ask not to be interrupted – yep, you’ve guessed it – you can be interrupted. I for one, work very long hours as a writer and there are those who just don’t understand or appreciate that. However, having said that, I have also had a great deal of support and encouragement from friends and family alike. And often, that support has come when I have felt like giving up, during those moments when terrible self-doubt creeps in. So in that sense, I have been very lucky.

The novel is written from the alternating viewpoints of teenage Cassie and that of her mum, Lizzie. Was it difficult to write from two different points of view, and how did you manage it? For example, did you write the story chronologically or did you write all of Cassie’s parts and then all of Lizzie’s, or vice versa?

Being a mother and having witnessed the language and behaviour of four teenage children, it wasn’t too difficult to write the two very different points of view, namely that of a mother and her teenage daughter. I did write it mostly in chronological order as one point of view easily followed the other. However, there were times where I just imagined a particular scene with one of the characters so I would write that conversation or chapter and then fit it into the story at a later date.

What do you feel you gained through the writing of your novel?

I achieved a life-long ambition but I gained so much knowledge, information and made many new friends. Online and off, I have met some wonderful, amazing people. The writing community, including readers, reviewers and bloggers are unbelievably supportive and helpful. It would be natural to assume, especially amongst the writing fraternity, that because there is a lot of competition out there, there must be less desire to help one another, however that couldn’t be further from the truth. Don’t get me wrong, you have to do the legwork, put the time in and put yourself out, but if want help, advice and support, it’s there, in abundance.

Once your story was down on paper, did you do a lot of rewriting? Could you talk us through this process?

Yes, I did have to do rewrites but it was more about joining the dots, making sure there was enough foreshadowing and keeping the characters in character – sometimes Cassie sounded too grown up and more like Lizzie!

How did 183 Times a Year come to be published?

I initially self-published my debut novel as an ebook with Troubador in September last year. I then met a lovely reviewer online who read my book and suggested I send it to a publisher she knew, which I did. The publisher in question was Matthew Smith of Urbane Publications. During the run up to Christmas last year, Matthew read my book and agreed to collaborate with me on the paperback version which, I’m happy to say, was released on 28th April. Matthew and Urbane Publications have done a wonderful job and I couldn’t be more pleased with the end result.

I understand that you’re also a published short story writer. Having written both short stories and a novel, which form do you prefer? What do you see as the benefits and drawbacks of each?

I actually like both forms, short stories and novels but because I always tend to write more rather than less, the short story is a great exercise in editing and condensing which then serves to remind me that I don’t always need to say so much in my novels.

Which writers have influenced your work?

How long have you got – I’ve been inspired by lots of different writers. I have a degree in English and History and my reading has been wide and varied. I’m not a reading snob either – the classics are great but so is a lot of contemporary fiction. Many writers have inspired me from Shakespeare, Jane Austen, Charles Dickens and Joseph Conrad to Angela Carter, Sue Townsend, Stephen King—and recently Anna McPartlin, Gillian Flynn and Louise Doughty. I’m currently reading a great debut novel, The Long Weekend, by a writer I recently met called Jane E. James, which is brilliant. I enjoy stories that force the reader to observe the daily interactions of people with one another set against the social complexities of everyday life, be that through crime, love or comedy.

Are there any future novels in the works?

Yes – absolutely! I’m writing the sequel to 183 Times a Year at the moment. It’s three years later and there’s lots going on. It’s still humorous but much faster paced with some unexpected dark moments. I also have an idea that I’m collaborating on with one of my brothers – it’s a completely different genre to 183 Times a Year – a thriller I suppose – but very exciting. I’m also working on an idea for a YA novel.

Finally, how can readers get hold of your novel?

Now released as a paperback, you can find or order 183 Times a Year as both an ebook or paperback through most bookshops and retailers including Waterstones and W H Smiths, Amazon, iBooks, Nook and Google Play.

You can also order it in print from Urbane Publications:

Thanks so much for taking the time to come and speak with us about your work. Best of luck with 183 Times a Year, and with all of your writing!

Thank you so much for having me!

About Eva Jordan

“I am a short story writer and author of the debut novel 183 TIMES A YEAR. I live in a small town in Cambridgeshire with my fiancé and ours is a blended family. Between us we share one cat and four children, all of whom are a constant source of inspiration! My career has been varied, including working in a Women’s Refuge and more recently at the city library. However, storytelling through the art of writing is my true passion.”

Learn more about Eva’s writing by visiting her website:

Like her page on Facebook:

Follow her on Twitter: @evajordanwriter

Kendra’s review of 183 Times a Year

“Why had I been so unforgiving? Even Cassie had had the good sense to see it was just one stupid mistake.”

With a mortgage to pay, an ex-husband who is less than supportive (monetarily or otherwise), cuts being made at work, family illness and friend troubles, Lizzie has little time left to herself. Enter three children and a modern-day blended family and life becomes even more complicated. Her stepdaughter, Maisy–who prefers to be called Mania–hates her. As does her own daughter, Cassie, who refuses to so much as sit at the same table with her should they go out for coffee together, though she is more than happy to let her mother buy the drinks. Lizzie’s only consolation is 11-year-old Connor, who has yet to hit puberty, and who therefore still respects her and enjoys her company.

As the pressure at work mounts due to budget constraints, Lizzie struggles to cope. When Amber, a young, unemployed, library volunteer, confesses to Lizzie that she wants to become pregnant so she won’t have to continue looking for work (and failing to find it), Lizzie does her best to try and help. But is it possible for someone to be too caring?

Meanwhile, Cassie is struggling to pass her exams at school, and uncertain about college. With the most popular girl in school’s party coming up, and Cassie uninvited, she’ll have to do her best to appear “sick” (or “cool”, for those of us from older generations). Unfortunately, her supposed friends seem to forget all about her when she needs them most.  Will Cassie have the courage to be herself for a change, and, if so, where will it take her?

183 Times a Year is a hilarious,  deeply empathetic and almost uncomfortably familiar, exploration of the ins and outs of family life. Jordan does a remarkable job of capturing the relationships between teenagers and their parents and made me look at my teenage years in a very different light. A highly enjoyable read.

My review of The Unusual Possession of Alastair Stubb by David John Griffin

Firstly, I’d like to thank Sonya Alford and David John Griffin for this book, which I won in a competition on Sonya’s blog . The book design is beautiful, and one of the nicest I’ve seen in a while (you can’t really tell from the photo but the letters are all embossed and the insects appear nearly holographic).

FullSizeRender Alastair Stubb

The shuttered windows became blinkered, sorrowful eyes, the main canopy over its entrance a wet nose and the outer door that gaped open acquired two rows of fine, pointed teeth.

Ever since Eleanor and William lost their first child, who was to be named Alastair, Eleanor has longed for him. She calls his name, pretending he exists, and sees things which aren’t real. Or are they?

She becomes so disturbed by her visions that she ends up in a sanatorium, only being allowed out once she recants them. However, just because she’s recanted them doesn’t mean she doesn’t still see them. While Eleanor’s been away, William’s business has failed. He’s had to sell their house and move in with his aging, manipulative, insect-collecting father. Now that Eleanor’s returned, everyone must do their best to adapt to their changed family circumstances. The big question is, how they’ll manage to do so.

The Unusual Possession of Alastair Stubb is a magical realist story set in an alternate reality, nineteenth century English village. It’s told in two parts, with alternating third person viewpoints. As is usual with the genre, at times it’s hard to tell what’s really happening and what’s only in the minds of the characters. Griffin manages to separate them out nicely, thereby clarifying events for the reader, without becoming mired down in the details or losing the magical elements of the story.

Griffin’s prose is lucid and striking in this atmospheric, creepy and ultimately gothic tale dealing with issues of identity, disassociation, schizophrenia and ghosts. But although his novel’s themes may be heavy, Griffin underlies them with a sense of humour. One of my favourite things about this novel were the names of his characters. For example there is Dr. Snippet, the Reverend and Mrs. Musty, Mr. Fishcake and Mrs. Goodwithin, amongst others. His place names were equally clever and amusing, with The Bulldog Fish Tavern being easily my favourite.

If you enjoy gothic tales, psychology and/or magical realism I’d recommend this novel.

The Unusual Possession of Alastair Stubb is published by Urbane Publications and is available from Amazon and all good bookshops.

To learn more about the author, visit his website:

Follow him on Twitter: @MagicalRealized