The Forest King’s Daughter, featured on Virtual Book Club

Today I’m excited to announce that my novel, The Forest King’s Daughter, is featured on Jane Davis’s Virtual Book Club, her interview series which gives authors the opportunity to pitch their novels to book clubs. You can read it here: https://jane-davis.co.uk/2018/05/22/virtual-book-club-kendra-olson-introduces-the-forest-kings-daughter/

 

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Interviewed by The Shelf of Unread Books

I was recently interviewed by Amy over at The Shelf of Unread Books about my novel The Forest King’s Daughter and historical fiction more generally. Here’s a link to the interview, if you’d like to read it: https://theshelfofunreadbooks.wordpress.com/2018/04/29/qa-with-kendra-olson-author-of-the-forest-kings-daughter/

My Review of The Tides Between, a coming-of-age, historical novel by Elizabeth Jane Corbett

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“Elffin, Gwyddno and Taliesin, that’s the way it works, isn’t it? Each of us in every character, the stories shifting and changing as we learn to see differently.”

The year is 1841 and fifteen-year-old Bridie Stewart is emigrating from England to Port Phillip, Australia with her ma, her stepfather Alf Bustle and a book of magical Welsh fairy tales her dad told her before his sudden passing 18 months previously. With her ma pregnant and a new life ahead of them, Bridie’s ma and Alf want her to forget her childhood and grow up. Most of all, they want her to give up on the memory she has of her father as a kind-hearted, misunderstood dreamer. In order to appease them, Bridie has to hide her notebook, the last tangible object on earth she has to remind her of her father.

When it’s discovered, Alf insists that she use the notebook not to write down further stories but to make a record of their ocean crossing. Bridie feels angry and hurt. Luckily, Bridie has become friends with a young Welsh couple, Rhys and Siân, who share her love of stories and who help Bridie feel less isolated on the ship. Rhys is a dreamer, like her dad was, and Siân’s daintiness and mysterious ways remind Bridie of a fairy. But will their mythical ballads, music and storytelling be enough to help Bridie discover her own truth about what happened with her dad?

Corbett’s portrayal of life between decks for the English and Welsh emigrants was realistic and empathetic. She does not shy away from showing readers the harshness of her characters’ lives or the ocean crossing but nor does she allow for this aspect of their experience to dominate. The Tides Between is an enchanting novel, filled with Welsh myths and the magic of possibility.

The Tides Between is available from Amazon UK: https://www.amazon.co.uk/Tides-Between-Elizabeth-Jane-Corbett-ebook/dp/B077SS6847/ 

Amazon US: https://www.amazon.com/Tides-Between-Elizabeth-Jane-Corbett-ebook/dp/B077SS6847/

To find out more about The Tides Between and Eliizabeth Jane Corbett’s writing, visit: elizabethjanecorbett.com

New book cover for The Forest King’s Daughter and enter to win your #FREE ebook copy!

Today I’m excited to be revealing the brand new cover for my historical, coming of age, folk novel The Forest King’s Daughter.

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The novel was published back in 2015 by Pilrig Press and was inspired by my imagining what life might have been like for a young woman emigrating from Sweden to America back in the late 19th century. The title is taken from a fairy story the main character tells her grandkids at the beginning of the book.

Here’s the blurb:

The year is 1886 and Swedish teenager, Ingrid Andersdotter, is about to face a series of life-changing events. When Ingrid forgets to close the barn door one freezing cold night, there will be dire consequences for her family. To make matters worse, her attraction to the new school teacher leads to ostracism and shame. Ingrid’s strong opinions and the pressure of the powerful village church to conform to ideas she doesn’t believe in put her at odds with her traditional community.

Her only option is to leave her home and family. But is she brave enough to make an ocean crossing to a strange new land on her own, leaving everything she knows far behind? And will she find the freedom she dreams of if she takes such a risk?

Told through the lens of a Swedish fairy tale, this epic coming-of-age story, is both a page-turning personal account of one feisty young woman’s determination to seek a better life, and the tale of many single women who emigrated from Sweden to America in the 19th century.

Here’s what readers are saying:

A moving read which deserves every one of its five stars.” Marianne Wheelaghan

“A thoroughly enjoyable read.” C Gault

“I became so involved with this feisty young woman I couldn’t put it down.” Virginia King

To celebrate the novel’s re-release, I’m giving away one free ebook of The Forest King’s Daughter. All you need to do to enter is to leave a comment on this blog, giving one word to describe my new cover, then click the Rafflecopter link below. Meanwhile, I’ve kept a secret list of ten words which I think capture some element of my new cover. When Rafflecopter chooses the random winner, if your word is one of the words on my list, you win the book! In the event that no one chooses a word from my secret list a winner will be chosen at random.

The competition will run from today, the 29th January, until midnight on the 5th February. I’ll then announce the winner on my blog and Facebook page the following day.

Good luck!

And the winner is…Marilyn Pemberton!

Congratulations, Marilyn! I’ll be sending you your copy of The Forest King’s Daughter ebook.

Thanks so much to everyone who entered!

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If you’d like to purchase a copy then you can do so through Amazon UK: https://www.amazon.co.uk/Forest-Kings-Daughter-Kendra-Olson-ebook/dp/B00UBTSNBI/

Amazon US: https://www.amazon.com/Forest-Kings-Daughter-Kendra-Olson-ebook/dp/B00UBTSNBI/

Itunes/Ibook: https://itunes.apple.com/us/book/the-forest-kings-daughter/id975044199?ls=1&mt=11

New Year Update

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Photo courtesy of matthew_hull at https://morguefile.com/p/171780

Happy New Year everyone! Yes, I know we’re now into the third week of January but my year has gotten off to a slow start due to my extended winter holiday visiting family in the States. Still, I’m determined to make 2018 a success. This year I hope to make reviewing a regular feature of my blog again, release a new (modest length) book and re-release The Forest King’s Daughter. This is in addition to expanding some of my editorial offerings over at kendraolsoneditorial.com (more on that later!).

What is this about re-releasing The Forest King’s Daughter? Well, for regular readers of this blog, you’ll know that my debut novel came out back in 2015. When it was released I was studying for my MLitt in Creative Writing and had very little time to devote to marketing. Getting my blog and Twitter account up and running felt like a huge success in its own right. I wasn’t fully prepared for my book release and didn’t really understand how to promote it.

Fast forward a couple of years and I have a blog with several hundred followers, I’m a member of some supportive book groups on Facebook and have additional contacts who (theoretically) might be interested in the book. But I didn’t want to just start talking about the same things again and posting the same images around, so I thought “why not change the cover? It could be fun.” And it was.

I consulted with Les of German Creative over on Fiverr to come up with a beautiful cover I felt reflected the story and genre in an effective way. I was really pleased with what she did as her design grew organically out of my ideas while simultaneously being totally new and creative.

I’ll be revealing my brand new cover here next Monday the 29th January at 7am, UK time. And, to celebrate, I’ll be hosting a competition via Rafflecopter. All you’ll need to do is to come up with one word to describe the cover and, if that word is on my secret list, you’ll receive a free copy of The Forest King’s Daughter! In the event that no one chooses a secret word from my list a winner will be chosen at random. The competition will run from 29th January for one week. I’ll then announce the winner on my blog and Facebook page the following day. Good luck, and thanks for reading!

About The Forest King’s Daughter:

The year is 1886 and Swedish teenager, Ingrid Andersdotter, is about to face a series of life-changing events. When Ingrid forgets to close the barn door one freezing cold night, there will be dire consequences for her family. To make matters worse, her attraction to the new school teacher leads to ostracism and shame. Ingrid’s strong opinions and the pressure of the powerful village church to conform to ideas she doesn’t believe in put her at odds with her traditional community.

Her only option is to leave her home and family. But is she brave enough to make an ocean crossing to a strange new land on her own, leaving everything she knows far behind? And will she find the freedom she dreams of if she takes such a risk?

Told through the lens of a Swedish fairy tale, this epic coming-of-age story, is both a page-turning personal account of one feisty young woman’s determination to seek a better life, and the tale of many single women who emigrated from Sweden to America in the 19th century.

The Forest King’s Daughter is available to purchase from Amazon UK and Amazon US.

Why do I write? A guest post by Rebecca Stonehill

Today, as part of the #AlfredNightingale blog tour, I’m featuring a thoughtful guest post by Rebecca Stonehill on why she writes. So, without further ado, I’ll hand over to Rebecca. 

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You know that feeling of complete helplessness after you’ve watched the news? Watching reams of people leaving war-torn Syria, or the latest terrorist attack in a crowded market, or corrupt dictatorships making its own people suffer? Feeling deeply saddened, but not knowing what you can do about it, that the only option is to continue and make the most of our own lives?

I go through all of the above, as almost everyone does. And then, as somebody working in the creative arts, I interpret and personalize situations such as these. Toni Morrison, Pulitzer prize-winning novelist once said of the artist’s task in troubled times: ‘This is precisely the time when artists go to work.’ I couldn’t agree more. It’s an unspoken pact I have with myself, to respond to difficult situations with writing. People have sometimes asked me, How can such a cheerful person like you base your novels in such un-cheerful settings?  (Think: The Spanish Civil War in The Poet’s Wife, Prejudice and Mau Mau Emergency in The Girl and the Sunbird and the Battle of Crete in The Secret Life of Alfred Nightingale.) The truth is, if I didn’t write my way through such difficult scenarios, I’m not sure I would write at all.

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But that doesn’t mean that all this is simple catharsis; I know there are other people out there who feel the same as me and are deeply disturbed by what we as a race do to one another and what we are doing to our beautiful planet. I completely understand why people both write and read chick lit or light romances, so we can remove ourselves from the sober realities that surround us and indulge in some much-needed escapism. This is a hard written art form to do well. Often I wish I could write these stories, but I find that I can’t and that whenever I’ve tried, I’ve failed.

Everybody says I was a serious little girl, reserving my smile for only a few; that child who listened intently, but never put her hand up in class. I’m far less serious these days and love nothing more than a good laugh with friends and family. And yet, that serious child lives on in me. She is the reader who would like to but can’t read anything lighthearted, and she is the writer who returns again and again to mine the depths of human despair in her stories.

Thankfully, there’s a flipside to all this. And that flipside incorporates those stories of courage, resilience and beauty in the face of human suffering. We are a strange, remarkable species – capable of so much destruction and hatred and yet, we also know how to love unconditionally and to be the harbingers of great compassion, generosity and joy.

Through my writing, I try hard to make sense of this complicated world and understand why things have happened. Even more importantly, I look for and create stories of hope, that beautiful little word that allows us to press on through the direst of situations. I am so inspired by tales of courage and resilience and, in many ways, my writing bears testament to the spirit of human bravery.

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Author EB White said that a writer ‘must reflect and interpret his society, his world; he must also provide inspiration and guidance and challenge.’

If I can do any of the above, in any small way, then I believe I have achieved what I set out to do. Where all this will lead me, I don’t yet know. But I have a thousand and one stories bottled up inside me, so the real question is this: where will my need to make sense of the world take me and which story will be released next?

Rebecca Stonehill is from London but currently lives in Nairobi in an old wooden cottage surrounded by banana trees and tropical birds. The Secret Life of Alfred Nightingale, now available, is her third novel. Her other books, The Poet’s Wife and The Girl and the Sunbird, were published in 2014 and 2016.

Rebecca loves to connect with readers and can be contacted on her Facebook page: Rebecca Stonehill books, via twitter: @bexstonehill and through her website: www.rebeccastonehill.com. If you would like to be kept updated with her writing projects, please do sign up here: http://rebeccastonehill.com/signup

BLOG TOUR

Interview with Marianne Wheelaghan, bestselling author and director of writingclasses.co.uk

Today I’m welcoming Marianne Wheelaghan to the blog. Marianne is the author of The Blue Suitcase and The Scottish Lady Detective series, which includes Food of Ghosts and The Shoeshine Killer. She’s also the director of the excellent writing school, writingclasses.co.uk, which I attended and whose alumni and teachers continue to be an incredible support to me.

Welcome, Marianne!

Marianne

Firstly, could you tell us a bit about your writing and books?

I write both crime and historic fiction and am interested in exploring themes to do with “home” and “place” as well as “identity’ in my writing.

Food of Ghosts and The Shoeshine Killer are my first two crime novels in the bestselling Scottish Lady Detective series and are inspired by the time I spent living in the Pacific.

My first non-crime novel is the bestselling The Blue Suitcase. It is inspired by letters and diaries I discovered after my mother’s death and tells the true life story of a Christian girl growing up in Silesia in Nazi Germany.

How did you begin writing?

I have six sisters and two brothers. Growing up with so many siblings meant it was sometimes a bit difficult to get heard. My way of standing out was to tell stories. I suppose I must have been reasonably good at it because telling stories quickly became “my thing”.  It was only as an adult I started to write certain stories down and quickly realised there was nothing I’d rather do. I enrolled on a Master’s degree in Creative Writing with Lancaster University to help hone my skills. This changed my life. Not only did I develop my writing skills, but I gained the confidence I needed to take my writing seriously.

The Blue Suitcase

Marianne’s debut novel

Your debut novel, The Blue Suitcase, was loosely based on your mother’s experience of living in Silesia at the time that Hitler came to power. Could you talk a little about how the idea for the novel came about?

Shortly after my mother’s death I was helping my father sort out her personal things. We discovered a scuffed, blue suitcase full of her letters, diary extracts, photos, old postcards and faded documents, written in German, my mother’s first language.

My father wanted me to translate the documents – I’d studied German so it was not as mad as it sounds. I was appalled at the idea, my mother had been a very private person. I thought it a terrible intrusion of her privacy to read her private stuff. But Dad wouldn’t give up. You see, my mother was from Germany but she never talked about her family life before coming to Scotland after the end of WW2. In fact, you could say my mother’s early life was a mystery – we weren’t even sure where she was from in Germany. Dad believed knowing what was written in the letters and documents would bring her closer to him. I resisted doing what he asked, until we discovered this photo of Mum’s family.

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Mum is the smiling girl at the front of the photo, next to the older man – I recognised her immediately. The other people in the photo are her family – who knew I had so many aunts and uncles? However, it was not seeing all the family that made me change my mind, it was, rather, seeing the picture of Hitler on the wall behind them: if you look carefully, you can see it above my grandfather’s head. I was totally shocked at the sight of it. My mum was a good, kind, thoughtful person and although I didn’t know her family, I couldn’t believe they were not also good people. So why was there a picture of Hitler, a war criminal, on their living room wall?

Around this time I was also very aware of a book that had been around since 1996 called Hitler’s Willing Executioners by Daniel Goldhagen.  In it, he argues that the vast majority of ordinary Germans were “willing executioners” in the Holocaust. The book was scathed by historians, and in the words of Holocaust historian Raul Hilberg, “it is totally wrong about everything and worthless”. However, seeing this photo of Hitler on my grandparent’s wall made me wonder if, after all, there could be some truth in Goldhagen’s theory. I decided to translate the documents to see if I could discover the truth once and for all.

The more I read about Mum’s life, the more shocked I was by what I discovered. When I finally finished translating everything I was both astounded and horrified and felt compelled to share my findings. Like thousands and thousands of ordinary Germans, my mother was not one of Hitler’s willing executioners, far from it. Like thousands and thousands of other ordinary Germans, she was a victim of Hitler’s terrible regime. As if that wasn’t enough, after the end of WW2, in peace time, my mother’s family, along with millions of other Silesian Germans, were forcibly expelled from their home. I knew what I had to do. It was time to set the record straight and the idea for The Blue Suitcase was born.

Food of Ghosts

Book 1 of the Scottish Lady Detective series

Your Scottish Lady Detective Series is set in the Pacific Islands, specifically Kiribati and Fiji. Why did you choose to set the novels in this region?

When I was growing up we didn’t have a lot of money. This meant we never went on holiday like others did and treats were for birthdays and Christmas only. But one thing we had all year round were books, hundreds of them, bought by my mum and dad from second-hand shops and jumble sales. They included, amongst many others, almost all of Agatha Christie’s 66 novels, RL Stevenson’s Treasure Island and Dr Jekyll and Mr Hyde and Stacpole’s The Blue Lagoon. These books fuelled my imagination and shaped my dreams. When I wasn’t reading, I was travelling around the world in my head, voyaging to faraway, unspoiled places, populated by gentle, innocent people.

Then, one day I was lucky enough to get a job in some of the lesser developed countries in the Pacific, namely Papua New Guinea, Kiribati and later Fiji. I was going to live my dream. The reality, however, was very different from what I expected. Yes, there was unspoiled beauty and traditional culture and kind people, but there was also a dark side to life there. My paradisiacal countries were wonderfully different, but also wonderfully not so different.

It struck me that travelling was not so much about going to new places, as seeing our surroundings with a fresh perspective, and seeing it all: the good and the bad and the ugly. As Marcel Proust once said: “The real voyage of discovery consists not in seeking new landscapes, but in looking with new eyes.”  As a writer, I wanted to share this lightbulb moment with others and I did what writers do, I wrote a book, or two. Why a crime novel? I believe a good crime novel can tell us as much about the darker side of society as any literary novel. Plus, I have many fond memories of reading an Agatha Christie or Margery Allingham into the wee hours, riveted until I found out who had done it. I wanted to recreate that feeling of suspense in my readers. So Detective Sergeant Louisa Townsend, AKA The Scottish Lady Detective, was born. Maybe not surprisingly, DS Townsend is a kind of modern day Miss Marple: a tad more gritty than cosy, she doesn’t suffer fools gladly but can also be kind, who is shrewd and intelligent but who can also make mistakes and even behave downright silly sometimes, and who has a dark side of her very own.

The Shoeshine Killer

Book 2 of the Scottish Lady Detective series

What challenges did you encounter when writing your novels and how did you overcome these?

In the Scottish Lady Detective novels, one of the biggest challenges is to bring totally alien peoples and places to life for the reader, and in doing so make the unfamiliar, familiar. I hope to achieve this by using very specific sensory details in the writing, so the reader really sees the magnolia trees, hears the traffic, tastes the overripe mangoes, smells the earthy market smells, and feels the giant drops of warm rain on their skin.

The biggest challenge when writing The Blue Suitcase was distancing myself emotionally from writing about my mother. I struggled with this until I had an epiphany: I would create a fictional family, very much like the true family but not exactly the same. This worked. Much of what happened to my fictional family happened to my real family, but some stuff didn’t, although it could have. Certainly, everything that happened in the novel is based on true historic fact: if didn’t happen to my family, it happened to someone else’s family.

Could you tell readers about writingclasses.co.uk? How did the school come about?

I decided to set up writingclasses for two reasons: I love writing and wanted to share my passion for it with others. I also believe to teach a skill is an honourable way to earn a living and in the words of Hanif Kureishi “I felt if I knew something, I should pass it on.”  

How are classes taught?

Today, with massive online open learning courses (MOOCs) becoming a part of everyday life, it is difficult to understand how in 2002 online courses of any kind, but especially short courses, were unusual.  As a lover of online learning, I was determined that writingclasses should offer short online creative writing courses, the kind of courses that I would have loved to have attended when I began writing. In my opinion online learning offers a flexibility that face-to-face classes simply cannot. Students can join in at a time that suits them, there is no being early or late and no need to find childminders/babysitters. For those of us juggling work and family life, learning online gives us access to courses that would have otherwise been denied us.

One of my favourite elements of the courses was that tutors read and commented on all assignments (quite often in other courses I’ve taken, tutors leave the critiquing primarily to students and, while peer review is always helpful, it’s the expert guidance of a more experienced writer which is most sought after). Why did you decide on this model?

 As all beginner writers know, one of the hardest things to find is an experienced writer who will read your work and give you honest, constructive feedback. This is why attending a course can be so helpful. However, when I was a beginner writer taking short courses, a tutor might give feedback on one piece of writing, possibly two, but never three. In my opinion this is simply not enough. We writers learn by our mistakes. It follows that the more we write, the more mistakes we can potentially make and the greater the opportunity we have to develop our writing skills, always assuming we have an expert at hand to help us recognise what the mistakes are. This is why on all writingclasses courses students are encouraged to write something new every week, why  “making mistakes” is obligatory, and why our experienced tutor-writers give helpful constructive feedback on every piece of creative writing the student submits during the course.

Several of your students have gone on to become published writers, myself included. Could you talk a bit about your students and why you think it is that so many have been successful in their writing?

A little bit of encouragement and feedback can go a long way but, ultimately, the students who succeed are, very much like yourself, the ones who do not give up.  Determination and staying power are often as important as ability and creativity.

And, finally, are you working on anything at the moment?

I am writing two books – the follow on from The Blue Suitcase and a third Scottish Lady Detective novel set in Edinburgh.  I’m not sure if it is a good idea to write two books at the same time. Time will tell ;-).   

Thanks so much for coming by to talk with us about your writing and teaching!

Readers can learn more about Marianne and her writing by visiting her website: http://www.mariannewheelaghan.co.uk/

Check out the courses on offer at her writing school: http://www.writingclasses.co.uk/courses.html  (Tip: The next semester starts on the 3rd October so do sign up early to guarantee your place– they’re great value!)

Follow her on Twitter: @MWheelaghan and @solovewriting

Buy her books: https://www.amazon.co.uk/Marianne-Wheelaghan/e/B004AQKRXA/

https://www.amazon.com/Marianne-Wheelaghan/e/B004AQKRXA/